Urban Sketching

View fullsize

View fullsize

View fullsize

This week in Create-A-Thon 2017 - Urban Sketching. I have, in the past few weeks, been carefully putting together an urban sketching bag with essential supplies that I might want to use without carrying too much. I've found a light weight stool and had thoughtfully chosen which sketchbooks I wanted to carry. I have been a member of two Urban Sketching Facebook groups for a little while and I finally got up the nerve to join in on a meet up for each of them this past weekend. 

On Saturday, I joined Harrisburg Sketchers at Fort Hunter Park along the Susquehanna River for a beautiful autumn morning of sketching. After completing two sketches, I introduced myself to a few of the other sketchers and enjoyed a couple of conversations about sketching, art materials and looking at sketchbooks.

On Sunday, Isaac joined me to meet up with Urban Sketchers Baltimore in Fells Point. Isaac had intended to work en plein air in oil, but was unable to find a suitable subject. I was able to meet a fellow sketcher in person that I had communicated with on Instagram. After completing a couple of sketches, I talked to some of the other sketchers, but was not able to stay to have lunch due to a prior commitment. I was excited that Urban Sketchers Global later reposted my favorite sketch of the day on their Instagram account.

It was a great weekend to get outdoors and try Urban Sketching, and meet new people. I'm looking forward to future events with both groups in the coming months. I think I might sketch outdoors on my lunch break until the weather starts getting colder.

Kodak Brownie Starmatic

Week 48 - Kodak Brownie Starmatic from my collection, purchased with a roll of exposed film inside. I had developed that exposed roll of film and found only a couple of multiple exposed frames with a woman's face and a minivan. The Kodak Brownie Starmatic uses 127 roll film and features auto exposure with a fixed focus lens. The film speed can be set with a dial on top of the camera and exposure can be set to auto or adjusted with the EV (exposure value) dial on top of the camera. The film that I chose for this week was an unidentified color film with England printed on the wrapper. After opening it, the metal spool was rusted, who knows how the film had been stored over the years. Wondering what I would get from the photo results with such a sorry looking roll of film and an untested camera, I ventured out on my lunch break on a brisk, late fall day last week.

Not knowing the speed of the film, (I guessed it might be a 100 speed color film) I set the film speed on the camera to 50 and the the EV dial to auto exposure. I went for walk down to the Inner Harbor in Baltimore on this bright sunny day and shot a few photos along the way. I got a few of the usual touristy photos - the U.S.S. Constellation, Ripley's Believe It Or Not Museum, and the Water Taxi with the National Aquarium in the background. I really was not confident that I would get any images on the roll of film, but I did enjoy going on that photo walk on such a nice sunny day. 

I had mixed up a fresh batch of Kodak D-76 the day before developing and eagerly took the whole camera into the changing bag, just in case there were any snafus with the film roll. I usually have some difficulty spooling older 127 roll films onto the Paterson reel, the rolls are so tightly wound that it's difficult to get them started. I developed the roll of film for 10 minutes with my usual method (room temp developer - I don't take the temp), water stop bath, 5 minute fixer, rinse and then generic film rinse aid from Freestyle Photo. This method works for me (varying the developing time with each type of film) so I haven't experimented too much with different temps and developers.  I use D-76 or Caffenol for black and white films,  C-41 for color, and I've taken a stab at E6.

I was very pleasantly surprised at the quality of the photos I got from this roll of film, the auto exposure on the camera worked pretty well for this unidentified film. After developing, I hang the negatives from a clothes hanger with clothespins on the ceiling light fixture in my studio to dry, then scan the negatives with an Epson V500 Photo flatbed scanner. Photos are then spot dusted in Photoshop with levels adjusted.

Kodak Pazzazz Camera

Week 46 - Kodak Pazzazz 110 Camera that my stepfather found while going through his desk, which he then gifted to me (along with a few other lo-fi cameras). A web search for information on the Pazzazz indicated that it was manufactured in Mexico, but the model I have shows a "Made in U.S.A." stamp on the top. The camera came in two colors, rose and turquoise, and was a very simple 110 load, point, and shoot camera. There is an on-off switch for the flash, requiring two AA batteries.

I had not been shooting on the project for a couple of weeks as I was taking care of my mother in her battle with breast cancer and I was heartbroken when she passed two weeks ago. It's been hard to pick it up again, but I want to finish the project so that I can start the new year with hope for a less painful, loss-filled one than of 2016. My father passed in early spring, then our beloved family pet beagle, Cinnamon, two weeks later, and now my mother. Even though my parents have been divorced for many years, and I had been very distanced from my father, both of my parents had a significant, meaningful impact on my life.

My stepfather had been going through some things, and found a few cameras that he thought I might like, and this little pink (fushia?) camera was in the bunch. The name simply called out that I shoot with it, and I still had a fresh roll of Lomography Lobster Redscale 200 110 film to load it with. I had returned from work after being on family leave and wanted to get back into my routine of walking at lunch break and shooting photos of the city. I shot the entire roll of film on my lunch hour that day, but I admit, I wasn't very discriminating in my compositions.

As you can see in the resulting photos, this camera with this film requires lots of light, perhaps I should have saved a few shots to use with the flash on the camera. The film was processed with Film Photography Project C-41 kit and scanned with Epson V500 photo.

Ondu MKII 6x6 Pinhole Camera - 52 Cameras, 52 Weeks

Week 24 Camera - Ondu MKII 6x6 PInhole Camera received as a reward for backing the Ondu MKII Pinhole Camera Kickstarter campaign. I love pinhole photography - the wide angles, the slightly distorted views, and the occasional sun flare. I truly admire the pinhole photographers that can achieve these otherworldly images. I can't decide if I like black and white pinhole photos with smooth tones or the sometimes wildly colorful sun aberrations achieved in color pinhole photos. 

The Ondu MKII 6x6 Pinhole is a beautifully made wooden camera with a new design where magnets hold the camera back in place as well as the film advance knobs and film spool holders. Their Kickstarter campaign had a few setbacks causing a delay in shipping the rewards, but I must say the camera was well worth the wait. Everything was light tight and the first roll of film through the camera worked great.

I chose to load my Ondu MKII 6x6 with expired Kodak Portra 160NC and I went pinholing on my lunch break on a beautiful day last week. I walked to one of my usual places for lunch, the Mount Vernon area, with the Washington Monument and the Gothically styled architecture of Mount Vernon Place United Methodist Church. I prefer when the skies are partly sunny with puffy clouds, they look awesome in pinhole photos. It was very bright outside, without a cloud in the sky, but I did achieve aberrations in a couple of photos, not intentionally, but that was a bonus. I also shot a few photos in the backyard and of course, a front porch portrait of Brenda.

The film roll was developed with the Unicolor C41 kit from Film Photography Project and scanned on Epson V500 Photo flatbed scanner.

Jiffy Kodak V. P. - 52 Cameras, 52 Weeks

Week 21 - Jiffy Kodak V. P. (Vest Pocket) camera purchased at the Westminster Antique Mall. I used my last roll of Rera Pan 100, getting poor images. This roll and the previous roll of Rera Pan did not produce the quality of negatives that I have gotten in the past. It could be the limitations of the two Vest Pocket style cameras, or maybe I need to get back to using Kodak D-76 developer instead of Caffenol. 

The Jiffy Kodak V. P. was made from the mid 1930's to the early 1940's. I fell in love with this camera when I saw it in the antique mall, with it's art deco design and the pop out bellows with the push of a button. It's quite compact when folded, being able to easily fit in a pocket, just as the name implies. It has very few settings - a fixed focus lens with instant and time, with a large and small aperture slider. The viewfinder is simply a fold out metal one, which worked fine in framing up my photos.

I shot the entire roll of film on my lunch hour in Baltimore one day last week. I wish the photos had turned out better, I went on different route than usual and would have liked to have better quality photos. Nonetheless, I like the grungy, antique look - I might be able to use them in a collage or mixed-media project.

I developed the roll in caffenol and scanned with Epson V500 photo using a nifty 127 film adapter that I purchased from ebay. I've been using it for a while now and it's so much easier to scan 127 negatives.

Olympus Stylus Epic Zoom 80 - 52 Cameras, 52 Weeks

Week 19 - Olympus Stylus Epic Zoom 80 purchased at the local Goodwill store for $4.99. I chose Kodak BW400CN from my dwindling stash, developed in Unicolor C-41 home kit. These photos were shot at Maryland Institute of Art in Baltimore, Mount Vernon, and Maytown, PA. 

I really liked the size of the camera and I thought the photos came out really nice, since it's a compact point and shoot camera. There are options for shooting in different modes including an option for turning off the flash. I got nicely exposed no-flash photos from inside the MICA main building on a recent campus tour with my son. The camera is also weather resistant, making it nice to shoot in rainy conditions, like we had on our campus tour. I think it would make a great camera for walking around town or stashing in your backpack for a day hike.

Kodak Vest Pocket Camera - 52 Cameras, 52 Weeks

Week 14 - Kodak Vest Pocket Camera, also known as the "soldier's camera", carried in the pockets of World War I soldiers because of its small size. According to my internet search, this version of the Vest Pocket camera was made in Rochester, New York in 1912. The camera makes 8 photos on a roll of 127 size film and has a meniscus lens. It has a ball bearing shutter with speeds of 25, 50, Bulb, and Time. Aperture settings are Near View Portrait, Average View, Distant View, and Clouds Marine. The body is painted black with leather bellows, it looks like a mini version of a Kodak Junior 116 Camera in my collection.

I thought I would shoot street photography in Downtown Baltimore on my lunch break, and I managed to shoot more than half the roll on a walk to the Inner Harbor. As you can see, the photos are quite blurry, I think I didn't have the bellows fully expanded, or perhaps the lens is not in as good a condition as the camera looks. The camera looks really neat though, and will look nice in my collection, even if it doesn't work that well.

Film used was from my dwindling stash of Rera Pan 100 film - for future camera testings, I may try cutting down some rolls of 120 film using a method I saw on YouTube utilizing a cigar cutter. I developed this roll for 8 minutes in my usual Caffenol recipe, and scanned the negatives on Epson V500 Photo.

Kodak Six-20 Brownie Junior - 52 Cameras, 52 Weeks

Week 13 - The Kodak Six-20 Brownie Junior with respooled, expired Ilford FP4. I picked up this camera for $4.00 at the Maryland Steam Show flea market back in September. The skin was peeling off of the back a little, but the shutter appeared to be functional, plus the faceplate of the camera had a nice Art Deco Design. 

it's a simple box camera that was made in the late 1930's to early 1940's. It has two aperture settings, f22 and f11 and two shutter speeds - instant and bulb. I found the f22 setting in bright sun to be quite sharp besides the massive light leaks on either side of the frame. I had taken the camera out on a lunch time walk in Baltimore on a cool sunny day. I was able to take a few candid street shots with it as it's not as conspicuous when shooting this camera while looking down into the viewfinder. I did have one woman ask if I was shooting with "that old camera" and could I still get film developed. I told her that yes, I was shooting photos with it and that I develop my own film, though film developing is still available from online labs. I was disappointed that I could only get 5 photos out of the 8, the winder jammed partially through the roll. I took the camera home and to my changing bag to retrieve the jammed film. It took some prying, but I managed to get the film out of the camera and successfully developed this morning. 

The roll was developed in Caffenol and scanned on Epson V500 Photo.

Kodak Brownie Bullet Camera - 52 Cameras, 52 Weeks

For week 11 of my 2016 - 52 Cameras, 52 Weeks project, I dusted off the Kodak Brownie Bullet 127 film camera that's been in my collection for a while. I don't recall where I got this camera, but I believe it was acquired during the time that I was going to focus my collection on Kodak Brownie cameras (not likely now as I've gone in too many directions with my collection). The Brownie Bullet is almost identical to the Brownie Holiday Flash, made between 1953-1962, and was used as premium giveaway during the late 1950's to mid 1960's. It is a bakelite camera designed by Arthur H. Crapsey that produces 8 photographs on a roll of 127 film.

I loaded the camera with the only currently available film, Rera Pan 100 that I purchased from Freestyle Photographic Supply. The weather this week has been warm and sunny, so it was a perfect opportunity to get out at lunch break and take a walk around Baltimore with the Brownie Bullet in my camera bag. In my experience, Rera Pan 100 works best in bright sunny conditions. I usually process it with Kodak D-76, but not having any mixed up, I tried it with my usual Caffenol concoction.  I don't fuss too much with the developing temp, only using water that I've stored at room temperature, and using the same steps that I found on the Photojojo website a couple of years ago. I mix up the super washing soda, instant coffee and vitamin C in the same combination every time, develop for 8 minutes, use water for stop, fix for 5 minutes and rinse, with a final wash of generic Photoflo. I haven't experimented too much as I've been pretty happy with how the Caffenol has been working so far. I scanned the negatives using a 3D printed 127 film adapter that I bought from ebay on my Epson V500 Photo flatbed scanner.